Don’t bore us, get to the chorus
Musicians tell tales tall and short
Published: June 19, 2013
Interspersed with crass jokes (“If a frog had wings, it could get bird pussy!”) and indulgent-but-awesome photos (Willie smooching his horse, presumably called Music), it’s a quick read that does occasionally step out of his music world and into exciting other realms, like his childhood, Occupy Wall Street and the world domino championship he cleverly fixed. He also offers a predictable trick to quit cigarettes, unendingly lists his music heroes and even ruminates on the medicinal quality of his farts. You’ll have to pardon the admitted prodding to purchase his new music, because it’s rare that legends leave journals, and besides, Lefty Frizzell would remind us (if he could) that Willie’s always been successful by being clear that if we’ve got the money, he’s got the time. – Ashley Belanger
Shell Shocked: My Life With the Turtles, Flo & Eddie, and Frank Zappa, etc.
by Howard Kaylan with Jeff Tamarkin | Backbeat Books | 304 pages
The performance rights organization BMI has named the Turtles’ “Happy Together” one of the Top 50 Songs of the 20th century. Oh ... that guy. Now you’ve placed Howard Kaylan – that hushed, confessional singer in the verses, modulating to the keening, psychedelic/vaudevillian voice in the choruses.
Although the Turtles were never seen as a banner-carrier of the ’60s music revolution, Kaylan has the stories to compete (and possibly win) in the rock & roll tell-all pantheon. For instance, there’s his first evening out in London in 1967: accidentally insulting the Moody Blues, getting eviscerated (verbally) by John Lennon, and vomiting on the velvet jacket and pants of rising star Jimi Hendrix, all in rapid succession – that’s a winner right there, but there’s plenty more where it came from.
Once the Turtles are stopped in their tracks by a legal entanglement, the story of Kaylan and his perpetual vocal partner from high school forward, Mark Volman, gets more interesting as they wend their way through the entertainment world. Within two weeks of their hit band’s demise, Kaylan turns down the lead vocalist role in the then-nascent Steely Dan because Volman wasn’t on the ticket; the duo then auditions for and joins Frank Zappa’s new version of the Mothers of Invention. Later, the duo survives the Montreux venue fire made world history via Deep Purple’s song “Smoke on the Water.”
In an ancillary career as backing singers, Kaylan and Volman created those intriguing, ridiculous backing vocals on the T.Rex recordings – tiptoeing a line mimicking strings or horns, and selling the fantastical jiggery-pokery of Marc Bolan’s lyrics like commercial pitchmen. Salacious and psychotropic tales aside, the underlying story of Kaylan and Volman sticking together through the sine-wave peaks and valleys is a sublime parable – and possibly their crowning achievement. – Matt Gorney