This Little Underground
Bao Le-Huu hangs out his annual Undies awards for the best and worst in local music this year
Published: December 30, 2010
That’s right, you freaks. It’s that time of year again, where This Little Underground recognizes some of the notables gathered from the several hundred performances taken in this year. So, with due bonhomie, I present to you ... (super complex Michael Lothrop math-rock drumroll) ... the 2010 Undies!
Best blitz – October
It bled beyond the month, but the most concentrated parade of marquee indie-rock talent that bumrushed our city made for quite an October symphony. Great work by promoters, a piqued concert-going public and a lot of luck aligned to make an epic concert season for the ages. Damn, that was fun.Best street-level development – Free local shows
It’s been going on sporadically underground for a while now at places like Uncle Lou’s and Stardust Video & Coffee, but then Bar-BQ-Bar introduced a little more profile and regularity to the trend. Now, in the past several months, professional-grade live venues like Will’s Pub and Back Booth have even gotten onboard with free local showcases. The clubs and artists are doing their part, people. No excuses.
Best new festival – Indie Summer Fest
Despite being inaugural, ambitious and partially susceptible to the faithful Florida downpours, this Audubon Park upstart actually pulled off the unlikely with good talent, solid logistics, event scale and droves of grassroots support. It actualized what the 4th Fest (see below) should have done and is already an instant festival contender.Best homegrown releases – Viernes, Dr. Moonstien and 1991
With lots of weighty national media hype, Sinister Devices, the impressionistic opus by Viernes, is definitely the most far-reaching Orlando release this year. However, Dr. Moonstien’s circuit-bent playground, Spaceweenie, is probably the most innovative, and 1991’s self-titled cassette album is the most all-out thrilling.Best Florida indie-rock missionary – Kanine Records
On that note, Brooklyn’s Kanine Records deserves some major respect for leading the charge in bringing Florida indie rock to national prominence this year on the wings of signings like Surfer Blood, Viernes and Blind Man’s Colour. But that’s neither coincidence nor carpetbagging, because this tastemaking label is actually co-owned by Orlando-raised boy Lio Cerezo. Thanks to him, the Florida gospel is finally getting its due.
Best new Orlando bands:
Most improved Orlando bands:
Introduction to Sunshine
Lonesome City Travelers
Six Dead Horses
Most exciting live band – SSLOT
There is currently nothing in this city as nut-grabbing as the sheer visceral attack of this rhythm collective. But this ain’t no hippie drum circle. This full-tilt, multi-kit assault is through and through the most unpredictable, most combustible live spectacle going right now.Best party trick – Andy Matchett & the Minks’ parachute parties
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