What's Hot
What's Going On


Search thousands of events in our database.


Search hundreds of restaurants in our database.


Search hundreds of clubs in our database.


OW on Twitter
OW on Facebook
Print Email


The colorful career trajectory of songwriter Jenny Lewis

From actress to indie rock goddess to collaborator to pantsuit-ed badass, Jenny Lewis changes at her own pace

Photo: , License: N/A


8 p.m., Friday, July 11 | Bob Carr Performing Arts Centre, 401 W. Livingston St. | orlandovenues.net | $52-$72

Like any good actress, Jenny Lewis has morphed easily from one stylistic project after another. Bit player on ’80s TV shows like The Golden Girls and Perry Mason. Child movie star in cult classics like Troop Beverly Hills and The Wizard. Indie rock goddess with Rilo Kiley. Trusted collaborator with Bright Eyes, Elvis Costello and the Postal Service. Fiercely independent solo artist. Film composer and music supervisor. Bona fide celebrity (she dated Jake Gyllenhaal for a few hot minutes).

She’s someone who’s lived her entire life in the public eye (see: Vegas lounge act parents, Gyllenhaal romance, starting Rilo Kiley with ex-boyfriend Blake Sennett, recording and touring with current boyfriend Johnathan Rice). Lewis’ career trajectory has been anything but easy, though – and that messy, brutally honest reality is best exemplified on her third solo album, The Voyager, which drops on July 29.

It took Lewis six years to follow up her last record, Acid Tongue, but that time wasn’t spent savoring success. Rilo Kiley officially called it quits. Lewis’ estranged father died. She began suffering from debilitating bouts of insomnia. She tried recording numerous times with numerous different producers, none of whom provided the inspiration she was looking for.

But touring with Ben Gibbard’s the Postal Service project in 2013 to commemorate the 10-year anniversary of Give Up, to which Lewis contributed, reignited her creative spirit – and reconnected her with alt-country star Ryan Adams, whose new Pax-Am analog recording studio on Hollywood’s Sunset Strip provided just the ragged, spontaneous environment The Voyager needed to come together.

Adams played guitar on the album, recruited longtime Heartbreaker Benmont Tench to play keyboards, motivated Lewis to write achingly intense songs and enforced a strict no-looking-back policy to the material they recorded. Lewis balanced that out with co-production from mellow-rock icon Beck, who put a meticulously laid-back spin on lead single “Just One of the Guys.” Yet one line (“When I look at myself, all I can see/I’m just another lady without a baby”) from that otherwise sun-dappled song has garnered intense attention since debuting in June.

“It’s a very direct line, and I think it’s speaking to a lot of women in their 30s,” she told People Magazine last month. “Women have come up to me on the street with that line in mind. I think it really struck a nerve.” Which, she told Rolling Stone, was the whole point: “[The Voyager] didn’t feel like a character-driven album of songs … just like an extension of me.”

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus