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Avant garde Brooklyn band Zs play Timucua

Zs endeavor to elevate electronic music through classical methodology

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7:30 p.m. Sunday, March 17 | Timucua White House, 2000 S. Summerlin St. | timucua.com | free


8 p.m. Monday, March 18 | Lil' Indies, 1036 N. Mills Ave. | willspub.org | $8

For a lot of people, the live experience of electronic music is rather dull. Watching someone push buttons on a laptop is nowhere close to the live experience of a full band or a hip-hop show. It's like, as Zs frontman Sam Hillmer puts it, for all we know, that guy is up there checking his email. But while his band's name calls to mind a certain sleepy state, the snooze factor of this rampantly growing genre fails to apply to the avant-garde Brooklyn band's carefully cultivated live experience.

"You have to address performance, somehow. You have to deal with the fact that that's what you're doing up in front of people and think about why that's interesting to people," Hillmer says of commonplace electronic bands. "That's a shortcoming of that musician in creating an interesting performance."

For Zs, a band that features different musicians pivoting around Hillmer with each release, the music seems to transcend any of the typical criticism associated with this genre for a mildly surprising reason. Two current members are classically trained: Hillmer on the sax and Patrick Higgins on guitar. Whereas most who go that route tend to become obsessive over clinically mastering their instruments, the conversation that Hillmer started 13 years ago was focused more on "transcending and extending that repertoire of sound" associated with classical and jazz music, as Higgins puts it.

"I think I had a growing dissatisfaction with what jazz had to offer me creatively, so I think I was just interested in developing new types of sounds and music that was not restricted by the expectations of a genre," Higgins says.

But the dialogue that Zs is furthering does not, as some might expect, exclude those who aren't classically trained. Their drummer, Greg Fox, admits that reading sheet music is not among his strengths, but what Hillmer saw in him was a reactive quality that, from lineup to lineup, remains the common thread between different Zs albums. Rather than seek out sounds on their instruments as independent components to a song, like a layer of drums, a layer of guitar, then a layer of sax, they instead combine each player's creatively manipulated sounds into collaborative layers that form the building blocks of a process that sounds nearly identical to classical arrangement.

"We're really interested in creating composite textures, so the drum's playing something, the guitar's playing something, and the saxophone's playing something, and then we're thinking about what those things are comprised of, how they're being amplified, how they're being affected and manipulated, and how all of those things combine to form one texture," Hillmer says. "The formal aspects of the compositions come from the building blocks of those composite textures."

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