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'Violet and Daisy'

Geoffrey Fletcher's directorial debut is a whole different kind of precious

Photo: N/A, License: N/A

Photo: N/A, License: N/A

Bledel, as Violet, the slightly senior assassin, does a deft job of conveying trouble rippling beneath her wise-cracking, tough-talking fresh-faced surface, while Ronan is so supernaturally innocent and unworldly that Daisy would be beyond any suspension of disbelief if Ronan weren’t so skilled. In her Gracie Allen-esque bit in the opening scene, exhibiting a naiveté utterly nonexistent in any 18-year-old now alive, she has the difficult job of setting the tone of Fletcher’s imaginary world for the audience, and whether you can swallow that tone or not, Ronan pulls it off.

A film review shouldn’t be a catalog of comparisons … but a film shouldn’t be one either, and Violet and Daisy is a perfect film for a culture weaned on Amazon product pages, Google search hits and related content modules. V&D is RIYL Kill Bill’s Gogo Yubari, Belle & Sebastian vinyl, Rookiemag.com, knee socks and oatmeal cookies. Whether or not to click is up to the viewer.

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