What's Hot
What's Going On


Search thousands of events in our database.


Search hundreds of restaurants in our database.


Search hundreds of clubs in our database.


OW on Twitter
OW on Facebook
Print Email


Live Active Cultures

Florida Opera Theatre's new director, Eric Pinder, talks mission, venues and opera's kinship to punk rock

Photo: , License: N/A

A school cafetorium isn't where you'd ordinarily expect to find exceptional opera. But that's exactly what was heard last weekend at Bishop Moore High, where the Florida Opera Theatre – which rose from the ashes of the late Orlando Opera – presented Puccini's probate comedy, Gianni Schicchi. Prior to Sunday's final performance, I interviewed the company's new director-in-residence, Eric Pinder, on arias, arpeggios and …

… becoming FOT's director in residence: Honestly, the first opera I ever performed in was Barber of Seville [last January]. I came from a musical theater background, but studied opera [at] Michigan State. I had assistant-directed Rigoletto and helped Alan Bruun on Carmen, [and founding FOT director] Frank McClain has admitted I have more opera knowledge than he does.

Frank pretty much told the board that I was the person that he thought would be the best to do this. People didn't really know me per se; they maybe knew that I was a theater or Fringe guy. Once Frank got the [associate managing director] position at Opera Tampa he [named me] his hand-picked successor [and] has been very gracious about it, saying he hopes I succeed because it's a really big labor of love to keep it alive.

… FOT's relationship with Orlando Philharmonic Orchestra: Frank was supposed to direct [OPO's production of] Madame Butterfly [in April 2013; former Orlando Opera director Robert Swedberg will now direct]. We are [still collaborating] with them in the sense that [FOT music director] Robin Stamper is doing the chorus [and] a lot of the same people will be singing.

We do completely different things from the OPO. … We're going to be focusing on completely different repertoires. They like to do very traditional stagings. I think it helps us [that] we can update operas; we can move them to different time periods. I think the fact that the OPO is there helps because they do the more traditional productions, and then you can come see us for productions that are different, that maybe take more risks.

… his mission at FOT: I want to get people as excited about opera as I am, and people always laugh at that: "Good luck!"

We are Florida Opera Theatre, with the emphasis on theater and bringing that part of it to the forefront. The opera is still there, but we're focusing on the fact that opera is drama as well.

What I want to convey most is that sense of urgency. It's why operas have been done for 200-plus years. It's because it still says things to us, it's still interesting and beautiful.

… performing at Baby BlueStar's Venue in Ivanhoe Village: We really want to be in Blue's Venue again. They had construction delays, so that was a problem. It sucks – we'd much rather have been there, obviously. Going forward, we do want to do productions there. Since we don't have a home, we are really hoping that the Venue could be the permanent home for us. It's intimate; the acoustics will be great.

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus