Arts & Culture
The 2013 edition of Play-in-a-Day was the most epic ever
Live Active Cultures
Published: September 11, 2013
Legendary composer-conductor Leonard Bernstein once opined that “to achieve great things, two things are needed; a plan, and not quite enough time.” Though artists pine for unlimited resources, the most enduring work is usually crafted under seemingly impossible constraints, while unfettered creativity usually results in crap. Nothing sharpens the mind (or pencil) better than a looming deadline. If you wanted to see the salutary effects of stunted artistic incubation, you should have been at Lake Howell High School on Saturday for the latest – and, in my opinion, strongest ever – Play-in-a-Day event.
Orlando has hosted several short-term creative competitions, including the recent 48 Hour Film Festival (see Orlando Weekly’s Sept. 4 cover story), but Play-in-a-Day is the largest and longest-lived such local event. That’s not to say it hasn’t gone through many changes in the last 15 years, starting with its sponsors: Once a SAK Comedy Lab activity, it has been recast as a fundraiser for the Orlando International Fringe Theatre Festival, the Central Florida Theatre Alliance and Playfest, the Harriett Lake Festival of New Plays. The one constant has been Beth Marshall, who has now produced the project for 10 consecutive years. Since 2012, Marshall has partnered with Lake Howell High School and James Brendlinger’s Penguin Point Productions, funneling the evening’s $3,000 proceeds to fund both a scholarship for District 3 high school thespians, as well as Beth Marshall Presents’ 2013-14 season, which continues with next month’s world premiere of Alice Lost in Wonderland in Winter Garden.
Though I’m too faint-hearted and fond of sleep to directly participate in PIAD, I’ve been attending it more or less faithfully for most of a decade, and can confidently claim that 2013’s edition was the most epic ever. For starters, a record-setting 100-plus artists participated in the project, producing nine unique playlets that required an astounding three and a half hours to perform (counting introductions, intermissions and auctions). Emcees Dennis Giacino and Fiely Matias (of the much-missed “Oops Guys”) warmed up the crowd with a musical selection from their classic coolie cabaret Asian Sings the Blues (aka Lounge-zilla!) and later brought out Lulu Picard to belt Mulan’s lesbian anthem from their Off-Broadway-bound musical Disenchanted!, which returns to Orlando next week. Between plays, while the backstage crew of Lake Howell students (tech directed by Darth Knapik) shifted the swiftly assembled scenery, Giacino and Matias interviewed the author and director of the just-completed piece, eliciting comments on their elation and exhaustion after writing all night and rehearsing nonstop since 7:30 a.m.
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